The Sensory Coach

Category: memories

  • Food Memories – Why Are They So Evocative?

    Food Memories – Why Are They So Evocative?

    What’s your earliest food memory? What triggers it to come up to the surface – is it a smell? A flavour? A texture? How does it make you feel? Does it envelope you in a warm, fuzzy haze of memory, whisking you back to a time and place long since gone? Or does it make your spine tingle with horror?

    We often hear stories about someone’s grandma’s amazing apple pie; the recollections of Sunday’s well spent in granny’s kitchen, sifting flour, licking the spoon from the mixing bowl.

    I don’t know about you, but those sorts of stories make me feel a mix of emotions, including the not so pleasant ones like envy and regret.

    Neither of my grandmothers were the sort to create those kinds of memories; perhaps that had as much to do with a lack of opportunity as anything else, given we lived overseas, or several hours drive away, for most of my childhood.

    Even so, I do have food memories of both of them: rancid dripping, festering on a kitchen worksurface, and the all pervasive aroma of unsmoked bacon fat. Not exactly the stuff of nostalgic dreams are they?

    I do have other, nicer, food memories thankfully! Most of them originate from the years we spent living in Germany – when I first walked into a newly opened German supermarket here in the UK, the scent memory was so overwhelming that it brought on tears. Even though using those supermarkets is now a regular part of life again, those old associations remain, and it makes me smile in wonder every time.

    I had a conversation with someone on instagram a while ago about an ’80s Marks and Spencer Lemon Madeira cake – a shared food memory that was so vivid, even just the thought triggered salivation! Simply typing these words is giving me the experience of the tartness of the lemon; the smooth silkiness of the icing; the finger licking (and hoover requiring!) crumble of the cake. I feel driven to go and bake so that I might satisfy my desire for that taste of a 1980s summer!

    However, experience tells me that the disappointment of it not quite living up to my memories will keep my fingers on the keyboard, instead of going and grabbing the mixing bowl.

    So why are food memories so powerful? It’s all because of your senses – you didn’t see that coming did you? It’s stating the obvious really isn’t it? But the key thing with food memories, over other types of memories, is that they utilise all of our sensory apparatus, along with all the nuances of the situational and emotional contexts that are going on around us at the time.

    Whilst scent can create some of our most evocative memories because of the proximity of the olfactory bulb to the memory making areas of the brain – the amygdala and hippocampus – food memories have multiple layers that get laid down in the brain in a much more immersive way. To my mind it’s a fleeting from of time travel.

    The Legacy of Food Memories

    Before The Sensory Coach I ran an allergy friendly food business – mostly chocolate, but I also developed and sold packet mixes for bread and cookies. Before that I ran a paleo recipe website, which lead me to write two e-books: A Festive Feast and The Creatively Paleo Icecream Emporium.

    The structural thread that runs through all of these endeavours is the importance of the legacy of loving memories.

    When I was spending days, weeks, months and sometimes even years trying to develop an allergy friendly recipe, the thing that drove me was the desire for my own family not to miss out on what were often common cultural food memories, and for them to have a bank of family memories to carry with them into adulthood.

    As an aside, whilst talking of food culture, if you have netflix then let me recommend a fascinating series I’ve been enjoying recently – Street Food – from the perspective of a person with a shed load of food allergies it’s horrifying, but if you ignore that, it’s a really good watch, and absolutely speaks to everything that I’m talking about in this post.

    Tucked into a picture frame in my kitchen is a little card with the George Bernard Shaw quote:

    There is no sincerer love than the love of food.

    They (I don’t know who the ‘they’ is!) also say that cooking is love made visible.

    This is certainly my perspective on cooking. When you take this into consideration, alongside the power of food memories, I hope, if you’ve fallen out of love with cooking, or perhaps never even been in love with it, you’ll rethink the value of spending a little time in the kitchen, laying down the strongest of memories for your loved ones; they’ll sustain them long after the kitchen has closed.

    Maybe we could start thinking of nutritional value not just in terms of vitamins and minerals absorbed, but as the laying down of sustaining memories, building resilience with every dish we share.

    if you need a little help getting started, then my allergy friendly chocoolate course is the perfect place to begin creating those memories.

  • Poetic Problem Solving with Collage

    Poetic Problem Solving with Collage

    Back in 2014 a friend reintroduced me to the joys of collage via the medium of vision pages. The premise is along the lines of a dreamboard,but using cut out words, not just images.

    This was an enlightening moment for me because, even though I’m a very visual thinker, vision boards had always left me cold. But now I could shift words around on a page, and add pictures if I wanted to? Woah! And then a remembering whisked me back through the mists of time to 1987.

    I had done this very thing, almost 30 years before, on the notice board of my 5th form, boarding school prison cell.

    I also remembered all the scrap books I’d loved making – how had I forgotten about something that brought me so much joy?

    Over the past 5 years I’ve utilised this process more and more. It’s become a kind of meditation for me. It’s helped me to home in on recurring themes, which is a big part of what lead me to the creation of The Sensory Coach.

    I tend to create new pages around the time of the full and new moons each month. Sometimes I’ll just feel the urge to create a page outside of those times, if there’s something niggling away at me that I need to get out. Like journalling I suppose, except…. not!

    This afternoon, as I was creating a page, I was pondering how the process works. This was connected to a question a friend had asked me a couple of days before:

    ‘Tell me how your idea creation process works.’

    (She’s a coach, and these are the sorts of deep diving questions us coaching types love to ask.)

    My response?

    ‘Erm… I dunno, it just sort of happens!’

    Which is sort of true, but given she said she would keep me in mind as an Ideas Consultant, I figured that I should probably give this process a bit more thought. And I do love me some thinking!

    Ready for a bit of Hansel and Gretel breadcrumb trail following?

    I started the 100 days project at the beginning of April, having chosen the loose theme of Sensory Soul Art. It sounds a bit pretentious given I’m not an artist, but the container gave me scope to explore, and it’s been another enlightening process.

    Last week I watched a documentary on Netflix called The Creative Brain, which gave me inspiration for this piece of art play.

    When I was writing up the caption for it on instagram I said:

    ‘…The ways in which seemingly disparate input can form connections over time seems, to me, a bit like Ready, Steady, Cook! (Anyone remember that programme?) You start off with a bag of random items and have to create a dish or two that brings them all together.’

    This afternoon, as I was cutting out appealing words and phrases from magazines – keeping the left brain occupied so that the right brain was able to come online to free associate (or as Daniel Pink puts it: ‘The left hemisphere analyses the details; the right hemisphere synthesises the big picture.’) – these rememberings were sifted to the front of my awareness:

    1. Me and my dear friend, Lisa, playing with magnetic poetry whilst waiting for an appointment with The Emergency Poet.
    2. Playing on the CSI game and using the lab assembly table to piece bits of evidence together.
    3. The book A Discovery of Witches in which the main character, Diana, problem solves by imagining all the elements of the problem as puzzle pieces on a white table. She waits for them to rearrange themselves so that she can see the whole picture – she later discovers that this is one form her magic (as a witch) takes.
    4. References from the book Refuse to Choose about ‘scanners’ – a term the author uses to describe people like me who love learning more than knowing.
    5. The knowledge that movement helps to promote mental activity, leading to faster cognitive processing.
    Me and Lisa, 2 years ago, playing with magnetic poetry

    These recollections prompted me to consider some things about myself:

    1. I’m a collector (some might use the term hoarder) of things, ideas, experiences, memories, information, random junk!
    2. I thrive in visually busy spaces – not busy with movement or sound though, that’s exhausting.
    3. I have a ridiculously retentive memory.
    4. I’m a voracious reader.
    5. I’m a listener.

    I appreciate that there are a lot of words here. This is one of the things that puts me off blogging, because all of that up there, took moments to whizz across my brain and form into the completed puzzle. Trying to type it up into a piece of writing that makes sense however…. hours!

    But the way my brain works has value. A value I’ve really not appreciated for most of my life, which has been a shocking waste of my abilities frankly. It’s about time I started to vocalise my strengths, and demonstrate the level of background work that goes into this ‘just sort of happens’ process.

    My friend Kate told me that marketing is like painting and decorating: there’s an awful lot of preparation work involved that you don’t see. It’s the same with my idea generating process. It’s a culmination of every sight, sound, smell, taste, touch I’ve experienced in my life, colliding with the information that you’re giving me, when you’re asking for my input. As was said in the netflix documentary:

    ‘Creativity doesn’t mean inventing something out of nothing, instead it’s about refashioning what already exists.’

    David Eagleman

    The creation of a vision page is a tangible demonstration of how my idea generation process happens.

    The words and images that stir your senses will be particular to you, how you arrange them will be a result of your very personal thought processes and associations. That’s why moving pieces of cut out paper around is a worthwhile use of time. It’s how you create poetry like this piece I came up with earlier today:


    everyone deserves a
    wild love
    held in softness
    adorned in perfume

    That’s how you can solve problems, work out what your underlying passions are, and just have a bit of fun with glue and paper, like you did when you were a child.

    Give it a go and let me know how you get on. If you want some guidance, then might I point you in the direction of my friend Angela? She’s running a programme on Patreon called Resonance, where she’ll be teaching her process.

    I must apologise for the dreadful formatting, I just can’t get to grips with the new wordpress block system.

  • No, That’s Not How You Feel

    No, That’s Not How You Feel

    The toe dipping version:

    I learnt that it isn’t fear that makes me avoid certain activities, it’s simply that the physical feelings they engender, make me feel unwell so I choose to avoid them.

    The deep dive:

    Ever since I can remember I’ve been hypersensitive to feeling.

    There have been too many people who, for whatever reason, felt that it was part of their remit to attempt to alter my perceptions of the world around me.

    If you are a Highly Sensitive Person, you too will have heard the oft shared piece of advice to ‘grow some thicker skin’. As though that were possible!

    For me, this was never the greatest piece of advice anyway, as I literally have very thin skin – that translucent type where every vein can be traced, like the lines on a map. Some wear their hearts on their sleeves, I wear my thin skin on pretty much every inch of my body.

    Of course the danger in all this unloading of others’ discomfort onto a sensitive child, is that the child grows up to see themselves as inherently wrong. This is not news!

    Chances are high that, if you’re a Highly Sensitive Person, this sensitivity includes the physical; our outer sensitivity guides our inner sensitivity.

    What is news, to me, is that, not only were my emotional feelings fair game for ‘reeducation’, but so were my physical ones. It’s only now, as I rapidly approach 50, that I realise how little I have understood about how having my physical feelings denied, and wronged, has contributed to this sense of not being right, or good enough.

    When the world and its wife tells you that you don’t feel how you say you do, the outcome is a belief that your system is not to be believed. This is a very dangerous state of affairs, particularly if you’re a woman. I could write an essay on the myriad ways in which this is so, but that’s not my intention today, so rather than leave that hanging, here are a few links you may, or may not, want to explore.

    How Doctors Take Women’s Pain Less Seriously 

    What If We Just Believed Women?

    Cheating and Manipulation: Confessions of a Gaslighter

    What I want to begin to share in this post, is how important our sensory typing is to how we experience the world. It’s a topic that I’ll be talking about a lot in the coming weeks, months and years.

    For me, this new knowledge,  here in relation to the vestibular and proprioception senses, has enabled me to see my life and experiences through another filter; my own – how revolutionary! This new insight has lead me to have more compassion for myself – again, revolutionary!

    When I was younger I was often called ‘Clumsy Clara’ by family members.  I don’t remember being particularly clumsy, but I do recall the nickname, so I guess I must have been!

    My ballet teacher also taught gymnastics, which I really wanted to try, but she deemed me far too inflexible, so that was that. To be fair I was an ungainly dancer, which is probably why I was picked to be a Diddyman and a Womble in the show she put on. Talk about typecasting!

    In secondary school I was one of those children PE teachers enjoy torturing. Though I was always good at sprinting, and was gangly enough to make a pretty good goal defence in netball, overall I was always more cerebral than physical.

    I didn’t like rough and tumble, would not choose to go on fairground rides, panicked if I was somewhere high, didn’t like lifts or escalators, was claustrophobic etc. All of these things are true for me still.

    I’m that annoying person who holds everyone up because they can’t just walk straight on to the bloody moving stairs!

    These ‘weaknesses’ were considered a nuisance, a failing, laziness, a challenge to be overcome, and a bloody great joke by  my parents and wider family, to my friends, husband and children.

    I remember some years ago a, particularly forthright friend, telling me she had never met anyone who ‘sat so much’! It’s a comment that has frustrated me ever since – when people visit, you sit and talk, drink tea, share food. Right? She was a very frenetic person though – one visit from her and her daughter is vividly imprinted on the minds of me and my eldest children. We were all left feeling as though a tornado had ripped through the house, and were exhausted enough to need to go and lie down after they’d gone!

    I’ve pondered this ‘sitting too much’ thing a lot, and whilst it’s true that I live, as many of us do these days, a relatively sedentary life, I have always enjoyed walking – ie gentle movement.

    At this point, if I tell you that I suffer with terrible motion sickness and bouts of vertigo, you might see the connection that no-one, including me, ever made.

    I am an avoider (one of four sensory types, more on which another time) when it comes to movement!

    It wasn’t that I was scared of all those things, it was simply that I did not, and still don’t, enjoy the physical sensations that accompanied them. More than that, they make me feel ill. I am highly sensitive to vestibular disturbances, and my poor proprioception means that I’m prone to wobbling and bumping into things.

    This means that my physical ability to balance has a tendency to let me down; even more so in situations where my inner balance has been thrown off by movement that most people don’t even notice. When you’re on the edge of a cliff for instance, this IS pretty bloody scary!

    Naturally then, my instinct has always been to avoid these types of situations. Which, if you don’t have any experience of these sorts of feelings, or have bugger all empathy, may well look like cowardice I suppose, but it’s not! It’s self preservation, based on information gathered over a lifetime, by a sensory system that differs to yours!

    This has been a HUGE revelation to me, and makes me more determined to share what I am learning about the senses.

    Thoreau said that ‘the unexamined life is not worth living.’ I’m inclined to agree.

    Reaching greater levels of self understanding requires work. It is not idle, self indulgent, navel gazing, because out of it comes self compassion, which in turn grows our ability to empathise with others who experience the world differently to ourselves. There can be no denying that the world needs more people with empathy!

    Self compassion is something which has not been part of my make up – no surprise when you’re conditioned (largely through misunderstanding) to feel that you’re just plain wrong, but my experiences in recent years have made me realise that it’s not optional. Not if we want to not only survive, but thrive.  It’s such an important, and life altering concept that anything we can do to gain more of it is worth the effort.

    This is part of the reason why I created my signature Self Compassion aromatherapy blend. No, this whole blogpost hasn’t been leading to a hard sell, and of course I know that a blend of essential oils isn’t a magic bullet, but it has been part of my recovery. The oils have been carefully chosen for their physiological as well as emotional effects – my cerebral self loves the chemistry behind aromatherapy-  so I share it here simply as an option for others to experiment with, and yes, to enable me to pay my bills.

    In Hindu traditions the senses are known as The Organs of Knowledge. I think that’s a lovely description. To understand the knowledge our senses have to share, we need to be our own research scientists; experimenting, observing, and drawing conclusions based on the evidence gathered.

    That’s not navel gazing, that’s a life’s work. It’s my hope that The Sensory Coach offerings will help us along that path of discovery.

    And if anyone ever tells you that you’re not really feeling how you say you feel, send them to me!

  • The Violet Earthquake – What African Violets Can Teach Us About Blossoming

    The Violet Earthquake – What African Violets Can Teach Us About Blossoming

    African violets are a plant that will forever remind me of my grandmother-in-law. She always had them filling her windowsills, in various stages of propagation.

    When she died, almost 20 years ago, the only things we wanted of Nan’s were:

    • A little red plastic foot stool that she used to reach up into her cupboards, and which, when she turned it upside down, our toddler twin daughters played row, row the boat in with her.
    • A photo we’d taken and had framed for her of ‘gran-nan’ with her four great-grandchildren.
    • An African Violet or two.

    Over the years I kept her plants alive, but at some point – maybe in a house move, I don’t remember – there were no more of Nan’s violets left.

    A few years ago I bought myself a new one from a garden centre; a mini windowsill memorial to a woman who was dearly loved. It turned out to be an awkward little bugger though! No matter what I did it to nurture it, it refused to flourish, with flowers appearing less often than a blue moon. It became a frustrating challenge instead of the smile inducing reminder I’d hoped for.

    About a year ago it flowered, which pleased me no end. I posted a picture on Instagram, mentioning in passing that it was such a delight because it rarely blossomed. One of my lovely IG friends, a nutritionist called Jodi from across the pond, responded to my post with a bizarre sounding piece of wisdom:

    ”It sounds funny, but if you give them a regular ‘earthquake’ every few days, they’ll continue to bloom quite regularly. Just shake the pot bottom against the table a couple of times. Works wonders with shortening the bloom cycle.’

    Well it DID sound funny, but I was willing to give it a go, even though it seemed counterintuitive to shake a plant about to encourage it to grow. Of course, Jodi was absolutely right; my little African Violet is looking much healthier, and blooms much more frequently, with an ever increasing number of flowers each time too!

    This got me to pondering life’s big questions (I don’t need much encouragement to be fair, it is one of my favourite things to do after all!)

    Is the Violet Earthquake a metaphor for the trials of life?

    Do we blossom after we’ve had our world shaken?

    Pope Paul VI said:

    All life demands struggle. Those who have everything given to them become lazy, selfish, and insensitive to the real values of life. The very striving and hard work that we so constantly try to avoid is the  major building block in the person we are today.

    Is struggle – the violet earthquake – an inevitable part of creating a good and beautiful life?

    Let’s hear from Elizabeth Kubler-Ross:

    The most beautiful people we have known are those who have known defeat, know suffering, known struggle, known loss, and have found their way out of those depths.

    I reckon that it’s the last part that gives us the answer – it’s not the struggle itself that creates the beauty, but the way it’s handled, and what we make of it. Do we choose to sink? Do we become bitter and twisted? Or do we decide to  bloom in spite of the prevailing conditions?

    Which brings me back to Nan. One of my all time favourite people, and someone who, certainly in the time that I knew her, bloomed time and again, right up to the painful end.

    These beauties speak for themselves. Thanks for the reminder Nan.